Here’s an interesting way of looking at a seemingly simple phenomenon which could be used to revolutionise the way we draw. If architects can use robots to understand the complex kinetics involved in creating the organic circles that humans do, it could have an impact on how they create inspiring spaces.
“Movement was always an underlying instigator to how I look at form,” explains architect Amina Blacksher, who began ballet at age six. Her work crosses boundaries and unifies seemingly disparate practices, as she now, among many other things, uses the tools and methods of an architect to investigate the place of robots in our lives and the relationship between the analog and digital. Most recently, her explorations of movement and robotics have taken the form of two arms that join humans to play jump rope.
Two industrial robotic arms from ABB, jointed similarly to a human’s, swing ropes in partnership with a human while people Double Dutch amid the ropes. Custom 3D-printed grips are attached to the robotic manipulators to hold on to the ropes but also to allow for human error, like stepping on a rope, without toppling over the robots.
The Double Dutch project began at Princeton University during the Black Imagination Matters incubator and Blacksher has continued to develop the project, exploring the cultural history of jumping—from children’s games to the Maasai jumping tradition, trying to evoke that “cleansing moment” when suspended in the air.