“BIM Incubator brings together participants from disparate fields of knowledge to think collaboratively about blackness and black culture in relation to architecture”. We love the idea of “scrambling” this architectural, technical acronym to provoke thought and self-expression in new ways as part of Black Imagination Matters.
On a humid, grey morning at Princeton in a cubic glass pavilion in a robot arm–equipped garage, architect Mario Gooden sat on a stool silently while discordant sounds emanated from two televisions flanking him that played images, barely visible under the sun streaming in through the translucent walls. Us viewers sat on the benches wrapping the room. Gooden moved his stool and sat again. Finally, he began speaking. Reading from a black folder he talked about space-time, general relativity, and black holes, and about the Black Panthers, being age 13, being American, cinema’s star-crossed lovers, the “image-city,” being in the wake, or being the wake.
So began the second day of Black Imagination Matters (BIM, so named to “scramble” the usual meaning of the acronym in architecture), a two day conference organized by V. Mitch McEwen, which was the culmination of a month of workshops this past March and April which included prototyping fictive technologies from W.E.B. Du Bois’s recently-discovered short story “The Princess Steel” as well as choreography workshops with drones. This past weekend’s events showcased numerous architects, theorists, writers, and artists thinking about “architechnipoetics,” or the intersections between the ways we make our world in bricks and circuits and words and movement.